the lp “the world is shit” is a radical and depressing statement by sebastian reuschel looking at the world, the society and the people living in those. a-side track “exav 2b” is a warm and deep industrial ambient track which starts rough and noisy but culminates in a rolling and dark atmosphere. “dying alone” – the b-side track – is a sample based rolling noise dream of suicide and total apocalypse.

dil withers has been making noise ever since his emergence in 2013 on a split tape with ohbliv (dil blivers). residing in seattle, wa, dil has been thriving in the towns rich vinyl scene, soaking up all that he can. jazz heavy loops with dusty drums is dils calling card. studies is an audio collage of samples, drums, vocals, thoughts and feelings. as dil studies the game, he takes notes, waiting for his time to shine. his time has come.

los angeles native, dyed in the wool hooligan zeroh gets loud, technical and strange all over again on his new ten track album tinnitus hnr65. organized noise was haphazardly strung together and embellished amongst 15+ hours of music in a dark smokey garage on little to no sleep. the severity of this raw bludgeoning echoes pain in the heads and ears of your typical everyman in an attempt to bring them to higher state of consciousness. zeroh emanates a low glowing light close to the chest. the one saving grace for this genius god awful cacophony. written and produced by zeroh additional vocals on gun metal by the koreatown oddity. harp & additional vocals on my beautiful new age nightmare by low leaf

a killer 10 inch back in stock !!
closing off the trilogy of 10 years of perc trax vinyl eps is the labels first ever 10 inch release. drawing together two of the deeper and more experimental tracks from * slowly exploding*, the ep pairs label founder perc with one of his longest influences, zhark recordings main man kareem. first up kareem brings a touch of deeper berlin-tinged techno to perc trax, built upon a rock solid kick and drenched in moody urban atmospherics, then perc closes the this vinyl series with a spiralling analogue noise exercise that builds and builds until live drums tear through the wall of bass tones...

the extraordinary prolongation of sound jerked polly’s pretty head away from her work at the calibration machine. today’s jobs had seen her at her thorough and meticulous best but as afternoon melted easily into evening, these latest reverberations meant she’d no longer be able to focus to the level required. her boss had just dropped the bomb. as her ear drums filtered the noise, the technician’s bright mind was flooded with delight, her eyes no longer felt dry and tight with concentration, she was caught riding the crest of a massive wave of admiration. sitting her specs on the desk and pushing herself off the comfortable heat of her work stool, miss filla let the soundwaves pull her to her feet and carry her off to the main source of the captivating music. in honour of dixon avenue basement jams spending four years at the forefront of the global electronic music scene a new release was planned to shake the foundation to the very core. techno wizard big miz had been charged with delivering the goods and by the gods, the glaswegian had cracked it! he’d created, not just new tunes, but a whole new fucking genre. polly could feel the vibrations pulsating through every part of her curvaceous body as she sashayed along to the seductive beat.

belgian producer joris biesmans (aka cashmere* and benn lian) delivers a counterweight to the fast food music that ram-raids its way into todays mainstream consciousness, with a project named tve - the virtual escape indicating his urge to escape from todays data-saturated, musicas mass-industrial-product environment. musically, tve aims for an aesthetic ambush incorporating strange & self-made hardware instruments, tape machines, non-standard structures, atonal abstraction, noise, distortion and randomness - openly embracing imperfections instead of smoothing them out with calibrated presets & templates. to this end, tve has brought two masters of this approach on board for the labels debut ep and with creme organization alumni legowelt and asok bringing forth their own inimitable style on remixes of biesmans delightfully askew original productions. keep an eye out for more engaging oddities on future tve releases to come. early support from: massimiliano pagliara, tim sweeny, ambivalent, lando

people strive for stability, however nature constantly creates instabilities. from the beginning to the end, you stay in the extreme. you have the opposite direction in the ordinary life. close your eyes. the place where you have gone was your field.

hailing from belgium comes hylas with a collection of dancefloor-oriented and heavy nineties-laced electronics. no stranger to the world of recorded electronic music hylas wishes to keep proceedings anonymous for now.

a pivotal moment in 20th century politics, history and culture the november 22nd 1963 assassination of president john f. kennedy (in dallas, texas) produced a mountainous range of forgotten, discarded and ghostly vinyl artifacts. country songs, private-press lamentations, mournful poetry and violent political diatribes were rushed onto rough-hewn 45s and marginal lps that vied to be heard above the noise and confusion.

the second ep, 1987s greenfingers, was their final recorded work and, according to hayward, its possible to hear the group atomising and preparing to go its separate ways within its grooves. the only this heat or camberwell now recording not to have been produced at brixtons cold storage studios, it was recorded as a diy exercise and – unusually for either of the groups – was not pored over laboriously for a great deal of time. the ep also saw the addition of a new member, maria lamburn, primarily on sax, whose element unknown was inspired by her experiences in the nuclear protest camp at greenham common. camberwell, in south london, pops up infrequently in pop culture. perhaps you know it from the camberwell carrot, the heroically sized joint smoked in cult movie withnail & i, or perhaps – if youre attuned to experimental music – you know of camberwell now. the group formed from the ashes of this heat, the art-noise group whose catalog was reissued on modern classics recordings in early 2016.

33 offers the most fine and rare form of sensitivity. nery blends electronic and acoustic patterns as if they grew up together, proving that having differentiated influences can result in something particular.

over the course of five galvanic, techno-esque slabs of sound fetnat delineates his vision, paying exquisite attention to detail in the almost imperceptible smithereens of vocal noise on tracks like kaoti and closing out the ep with a magnificent curve ball in the shape of the relentless rotel, a dazzling, synthetic drama of ebb and flow.

from 90 s to now, electronic music at his largest point. some dark sounds between techno, acid, electro and noise. apocalyptic music of future, from england to new-york,with a track from 90 s producer, jason szostek.

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

wolf dem is a live electronics duo from philadelphia, conceived in the fall of 2012 by two longtime djs who bonded over similar musical backgrounds and a mutual desire to explore the bleeding edges of electronic music. using drawing on a highly diverse range of influences, wolf dem grew from its original concept-what your dreams would sound like if you fell asleep in an old warehouse where someone had left a dancehall station playing on the radio- into a focused aesthetic, at once chaotic and hypnotic, sitting at the intersection of caribbean music, techno, noise, and field recordings. past releases include tracks for compilations on new low and great circles grcr-010, as well cassette releases for vague audio tapes and end result

parachute is proud and excited to release art rock unit starfuckers legendary sinistri lp, remastered and pressed on vinyl for the very first time since its original version in 1994 on underground records. formed in 1987, starfuckers is an italian avant-garde band primarily from the 1990s, considered a notable part of the experimental rock scene and one of the more out there acts during their active tenure. originally inspired by 80s post-stooges noise and new york city no wave, starfuckers eventually carved their path to their own distinctive sound by following in the footsteps of xenakis, john cage, maderna and stockhausen — all without ever abandoning their own attitude and raw personality. an incredibly important record for us here at the label, sinistri feels just as fresh in 2016 as it did in 1994.

franck vigroux is one of the few artists who are both a musician and a director. as a composer- performer he has the rare capacity to produce a very wide range of sounds from electroacoustic to industrial noise, modern composition and experimental electronic music.

did you survive the power noise onslaught of martyr of sores? this will drag you out of your hiding with a seemingly friendlier tone, lulling you into a moist rohypnol lazed daze.
she said is a split ep between two artists and two labels. released on sweden’s new prim of harshness - sores records teamed up with the legendary malmö record store/label rundgång rekords.
this is sores release number 2. here lies the rabbit skinner combing his body for sores.

soukas mix by dj sotofett might be a snake charmers terrain in clubland, with stomping percussions and that fairytail flute crossing over more than half of the tracks 11 min. running time. vera dvale s debut track fills out the b-side with a spectacularly heavy drone that transforms from sub-driven landscape to melodic noise and back again. both sides with essential 12inch club sound.

while focusing on his side projects admx-71 and traversable wormhole the past two years, the pioneering forefather of the industrial techno groove adam x returns on sonic groove records with an extended player entitled “bedeviled”. adam mixes a recipe of rhythmic noise industrial, classic rave and post contemporary techno rolled across three songs. creating the perfect mix of sound and rhythm aimed to torment dancefloors into submission during the peak hours of the night.

insane hyper hybrid combo of wave/house/techno by murray cy of glasgow. the cy stands for -contort yourself- the label he runs which bridges the gaps between lost sounds of the past and contemprary noise makers, this ep displaying the producers take on the sound perfectly. all four tracks move in their own way from mid-tempo heaviness to more peak time fare. this is the rough back alley stuff you ve been warned about!

this is the first volume in a series of release showcasing the analog hardware experiments of michigan-raised, new jersey raised michael alan rogers aka personator. running the gamut from raw, springy machine rhythms propelling the snarls of modular synths to softly pulsating white noise adorned with lullaby-like melodies, two of the tracks were recordded straight to dat in the artists studio, while a third was recorded live at a late night loft party in chinatown. perfect for fans of hieroglyphic being, jahiliyya fields, nation, trilogy tapes, etc

since his first release in 2014, gardens of god has been building himself a sterling reputation that many can only dream of. this autumn sees the lithuanian dj and producer launch his own sodai imprint, with his own two track production river/ghost ep forming the debut release.river opens with a captivating force and level of intricacy that’s undeniably a gardens of god signature production. g host is highly emotive and charged, a record that unfolds with such force taking overarching white noise and horns to command the peak of the night. the creation of the sodai label arose as an outlet to release his own music at his own pace. as he explains,sodai will allow me to experiment with my sounds and create an ongoing project that gives me the freedom to style both with art and music. minidaugas lapinskis aka gardens of god has only released a handful of ep s and yet his name is often spoken with great regard among fellow artists, including the illustrious maceo plex. for over a decade gardens of god has been steadily mastering his craft and creating both film and television scores. it is only in recent years that he has decided to unveil his work and open the doors to his studio, as seen over at xlr8r

electric pressure is an athen s(greece) based label founded in 2015. the debut vinyl release features 3 hardware centered, acidic techno oriented tracks from worker/ parasite and a remix from clouds. worker/ parasite is an oakland, ca based artist, much known for his stomping acidic hardware productions. clouds tip in with a heavily sampled remix, balancing perfectly between techno and noise.

is it heavy industrial machinery or the loud noise of a tropical jungle? do we hear a swarm of exotic insects over our heads or the sound of permanent construction overshadowed by sky-scraping cranes? this is los muchachos, the latest release of sano, from medellin, colombia. a strangely swinging 12inch with 2 heavy stomping downtempo tracks for those who know and those who want to learn - plus a mesmerizing interview – remix produced by toulouse, salon des amateurs resident and member of kreidler. los muchachos is a house music short story – both tropical and industrial – about adolescence in medellin, about kids selling their cd-rs at undocumented raves, about drawing flyers and stealing 16.09.2016 kisses, testing substances and kicking stones, about bedroom production, about dance and more dreams and adventures of los muchachos - the kids

split with two of the heaviest hitters in the field of noise techno. belgium s damaskin (also releasing as seraphim rytm) has been dropping noisey, abstract techno bombs on unknown precept and concrete. he presents a long, deep track here called signal . countered by upcoming dutch producer cs2 (aka core shift), coming from a sound design and noise background, he focusses his sound on a hypnotic rhythm, slowly building a wall of sound.

limited to 150 copies in uv spot glossed silken sleeve and frosted clear vinyl.
the debut release on sores could be by none other than martyr of sores. it is a project of the prominent experimental artist richard ramirez, with hundreds of productions to his name. richard has worked with names like prurient, thurston moore, the haters and merzbow just to name a few. he is also an avantgarde fashion designer. ’ceremony’ is a monumental noise piece in two parts. electrical whirlwind sounds that grows ever so slowly to take you in and tighten it’s grip around your very being. chants evolve in and out of the inferno that are nothing less than astonishing. a hard and beautiful noise work, thanks richard.

few records have gained such a legendary status as chiapet s tick tock. the 12- single, released in 1997, brings back memories for any house or techno dj of the era. now it is making its return as a yoshi classic, with fresh remixes from loco & jam, robosonic, and perc. loco & jam s mix is a nothing short of a powerhouse. about as driving as techno gets and armed to the teeth with noise, it has become a staple in sharam s recent sets.

the irish artist diarmaid o meara, fresh on the release of his ‘in your head’ album, joins the teja collective with an eclectic and pulsating ep ‘take over’. with four tracks of driving techno taking form in the melodic intelligence of ‘dreams’ to the full bass heavy dancefloor shuddering noise of industry, this ep covers some of the best o meara has to offer, on a beautiful marbled green 12.

sensation/clear was phantasys momentous fiftieth release, and the first studio transmission from daniel avery since his acclaimed lp, drone logic. now, both tracks are remixed in distinctive fashion by two fellow outliers on the fringes of psychedelic, experimental techno. acclaimed producer and eaux records mastermind rrose commits a typically ambitious and sonically experimental redux to sensation. while retaining much of the originals hypnotic, almost celestial groove, its atmospherics are transformed into something altogether more alien and overwhelming, culminating in an epic yet utterly earned conclusion of visceral noise. abdulla rashim meanwhile guides the sound of clear into deeper territory still, engineering an initially unassuming remix that ultimately reveals layer upon layer of painstaking detail. polyrhythmic bass lines interlock expertly from the beginning, gradually unfolding while never relenting.

the third album from james blake as double 12 inch vinyl in gatefold sleeve

after years of collaborating within the scope of free jazz, noise and various kinds of improvised music, nils herzogenrath and edis ludwig join together as gras to debut with four infinite and soothing pieces of ambient techno, assembled on a self-titled 12“ ep and packed together in a hand-made edition.
gras - gras ep embraces shifting synth drones, layered with harmonious sampling techniques and anchored in an impulsive and submerged rhythm to open your soul for relieving moments in life.

release & versand am 29.08.2016 atrophic society regulars echologist and vohkinne are joined by new friends dj spider and material object for the label s first various artists release. kicking things off with his regular sleek touch, echologist delivers our favourite track of his to date in the aptly titled splatter ballistics cop, with trademark large low end and analog squelches aplenty. dj spider follows with a clanking, reverberating behemoth full of dark drones and unsettling background noise entitled necro nebula. material object injects his track wipe out with supercharged urgency, envoking the kind of late night, dark, floor burner we re particularly fond of. finally, vohkinne wraps the ep up with null, heavy and hammering in all the right ways.

powerdance is a collective of like minded dance music enthusiasts that joined forces as a sonic dance floor experiment. created by like minded souls, it was formed as a reaction relentless cookie cutter noise that has been dividing the dance floor. a return to the days of love and dancing. a return to months of musician ship and studio work , nurturing and moulding an experience that brought a smile back to the church that is disco. these musicians will remain nameless for now, as power dance dictates the direction and the beginning of a wonderful journey. one for lovers of modern disco that draws on the past from the wag club to studio 54 - from koala bears to will powers and looking forward. just follow the fist. love the legion of boogie down

we finally welcome one of our favourite producers in full format: p.e.a.r.l. lately, the berlin-based spanish producer has been making big noise in the scene, playing in clubs all over the world, including berghain. for this release he delivers three original tracks plus a oscar mulero remixe.

nice price deal !!! about liminals uppsala based liminals were formed in 2009 by tomas bodén and anna-karin brus as a club-oriented side project to differnet, a band where they both are members. differnet gained widespread international acclaim with their experimental electronica on albums such as come on and bring back the brjokén sounds of yore and the title of the record is the text printed on the cover, or nothing at all. as tomas and anna-karin now explore the strobing lights of the dancefloor, they continue to draw attention and have already been recognized by pitchfork, swedish daily svenska dagbladet and swedish national radio shows p3 pop and p2 ström. when liminals released their debut, the hearthand ep (friendly noise, 2009), a video was made by sebastian rozenberg for the track the swim and the duo has since made a number of celebrated gigs throughout sweden and norway (for example, the norberg festival, the volt festival in uppsala and the phono festival in berg en).

nice price deal !!! vicente sanfuentes aka original hamster (tigerbeat) delivers his usual funky distroted sounds mixed with weird lyrics, noise house beats and catchy melodies.

shifted returns to avian. six steps to resurgence marks guy brewer’s first outing on the imprint since 2014’s arrangements in monochrome series. the two ep’s saw the avian label head make his definitive statement on the label aesthetic, pairing industrial & noise influences with more streamlined nods to contemporary dance floor techno.

nice price deal !!! >dead lazers< is the second single to be taken from kap bambinos forthcoming third album >blacklist<. it is another slice of deranged noise pop from the bordeaux duo caroline martial and orion bouvier - all maddening melodies and propulsive head-nod rhythms. the release sees the original album version of the track complimented with a phenomenal remix package including french hip hop crew and former dmc technics world team champions birdy nam nam and kaps very own orion toying with his own production mastery to deliver a digital orchestra version of >dead lazers< under the name >warsaw orchestra<. there is also a brilliant bouncy trip remix by candie hank aka the genius german artist formerly puppetmastaz patric catani, and lastly up and coming producer/ remixer maton are all on hand to provide a succulent re-working of the single.

dieter moebius is a renowned experimental krautrock / electronic musician (cluster, harmonia), conny plank is a legendary sound engineer. they recorded five albums together, the last one being *en route* (recorded 1986, released 1995). it transports us to moebius and planks customarily audacious, bizarre, wonderful and definitively unique world of sound, noise and rhythm. *en route* is hip electronic music, yet it steers well clear of the mainstream. includes three remixes by manu guiot. pressing on 180 gram vinyl.

recorded august 6th 2014 at the legendary metropolis studios, london in front of lucky 125 fans. now available an double 12 inch vinyl in gatefold sleeve.

nice price deal !!! playlist: ralph sliwinski, sebbo k, loco dice, raresh, dan curtin, steve bug ..... four tracks define the third chapter on the label for unique sounding minimal noise. new face christian baldinger celebrates his debut as syntec and delivers a record with actually four a1-tracks, as homogenic as can be. the unique trademark on this record is the fact that he has the courage to leave the path of reduced drummings when it comes to fulfill the expectations of what everybody feels being >minimal<. stomping beats combined with loads fragments form a release you will find in playlists both of warm-up and peaktime-sets

resplendent in its simplicity, forever is the sound of emika boiled down to her steely essence. gated vocal snippets and haunting synth arpeggios give a nod to early-90s proto-trance, the arps filtering in and out of focus in tense fashion before unfolding into a dreamy melodic progression ‘never’ treads similar ground but takes a more direct approach, the tension building consistently in layers as more arpeggiated synths gently modulate in hypnotic fashion shimmering, icy sounds create a haunting, slow-burning atmosphere before the rhythm switches up for the latter half of the track, layers of gated white noise further punctuating the groove. emika deftly utilises each element for maximum effect, allowing each to breathe and shine by way of slick production and clever arrangement.

limited to 300 copies, hand numbered.
dirk timmermans (a.k.a dirk da davo), very known for the neon judgement, have find on glenn keteleer the perfect partner for his alter ego project neon electronics / ne. their tracks count with the likes of the hacker, david carretta and millimetric, and made applauded appearances on dave clarke’s ‘white noise radio’ playlists. pounding beat bonanzas next to brooding krautrock, marshy soundscapes and twisted ebm. so yes, it’s dark and loud but it’s a darkness with a loudly beating heart. sounds to punish your body!

ancient methods & cindytalk, pay homage to the white rose figurehead, sophie scholl - remembered for her role in the passive resistance to the nazis during wwii - with a passionate and unflinching trio of noise/techno girders for diagonal. for those aware of cindytalk’s illustrious industrial heritage - she has collaborated with everyone from cocteau twins and this mortal coil to revolting cocks’ chris connolly and dj scud, this is nothing short of a momentous meeting of epochs, styles and mutual intent. and it’s f**king deadly wi’ it, too.

ancient methods & cindytalk, pay homage to the white rose figurehead, sophie scholl - remembered for her role in the passive resistance to the nazis during wwii - with a passionate and unflinching trio of noise/techno girders for diagonal. for those aware of cindytalk’s illustrious industrial heritage - she has collaborated with everyone from cocteau twins and this mortal coil to revolting cocks’ chris connolly and dj scud, this is nothing short of a momentous meeting of epochs, styles and mutual intent. and it’s f**king deadly wi’ it, too.

the first release on the copenhagen techno imprint ectotherm is by local producer schacke, a key figure in the danish noise, techno and industrial scene. this club friendly four-tracker encompasses schacke’s many aspects: whether it’s functional dubby excursions or forest-leaning soundscapes, a unique and rough energy powers through the entire record. his shattering live output can be witnessed at the copenhagen warehouse-come-venue mayhem, and his taste explored on his own label moral defeat.

mana all nite is another imprint of dj duo manamana. next to their artist focused label kann they established a new vinyl platform. mana3 comes from steppin wolf, a fresh reckless producer that serves a super multifarious emotive 5 track ep. read the not included package insert: best use to fall in love with the cozy dancefloor!

we are very proud to announce the debut release of japanese brightest hope sauce81 on endless flight. we really loved his past releases on eglo,catune,wonderful noise. this 4 tracks ep is full of love for black music which are his music roots.